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Establishment Records
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Adeva_v000_04

by debashis sinha

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about

Establishment combines debashis sinha’s works „Adeva_v000_04“ and „Brahmaputra“ to a digital double release EEST15 & EEST16. His craft as percussionist and sound composer is on full display in these twin journeys into spirtualized spaces and decolonized technologies.

Adeva_v000_04 (EEST15)

In his use of artificial intelligence for Adeva_v000_04, debashis sinha’s music is uniquely programmatic - a nod to the well of musical storytelling he draws on in his frequent work for theater. While based on neural networks, the works are improvisational and spontaneous, as if simultaneously informed by Indian classical compositional gestures. This is machine learning with a culturally particular and contextual dataset, dreaming of traditional futures. Adeva’s record has its genesis a livestreamed rendition for Toronto Media Arts Centre.

credits

released December 13, 2022

Mastering: Peter Kirn

Voice: Suba Sankaran
Drums recorded at Franco Boni Theatre, The Theatre Centre, Toronto

Cover image generated from a colab found at rynmurdock.github.io/2021/02/26/Aleph2Image.html

Process of working with machine learning began at AI Music Lab Tokyo, hosted by MUTEK JP and ARTYPICAL.Thanks to Maurice Jones, Natalia Fuchs, Peter Kirn, HEXORCISMOS, Robert Lippok, Nao Tokui, and Max Frenzel.

Thanks also to Darren Copeland and New Adventures in Sound Art, Charles Street Video and Toronto Media Arts Centre for co-presenting the livestream concert from which this record is made
www.youtube.com/watch?v=51Pk1QamO5w

For more information on building an equitable and inclusive AI community and tools, see
radicalai.net
dreamingbeyond.ai
and the Decolonial AI Manyfesto at manyfesto.ai

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about

debashis sinha Toronto, Ontario

based in toronto, canada, debashis sinha has been carving out a niche for himself working with sound in all its manifestations: radiophonic art, sound design, music, video art, and installation art. his fierce commitment to detail and encouragement of mindful apprehension in the listener has resulted in an eclectic output of music that still holds together in its intent and intensity. ... more

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